piros 001 kicks off with 2 solid, meticulous tracks delivered by uruguayan, berlin based upcoming talent ema remedi. the ep includes a killer remix by ernesto ferreyra, a club-oriented track which will drive you deeply into a dark, subterranean dance floor at early morning hours. vinyl only!

lark vinyl is a new label. based in berlin & osaka japan.
1st ep is collaboration by nekes (oslo) & yoske.
mixed by aoki takamasa (raster-noton).
vinyl only release.

on our journey within the global minimal house orbit, we are happy to pick up andrea giudice. the young producer gave us two charming tracks, to spread his glowing vision of electronic starry sky into the global village. on his debut ep for resopal he comes up with wo lighthearted but deep minimal techno tracks touching detroit landscapes, as well as berlin ones and adding his very own touch. amazing release

arriving as the third outing of len faki’s recently established non-profit platform lf rmx, these previously exclusive edits take on a raging classic by courtesy of frankie bones, godfather of the north-american rave scene. the new hardspace mix bolsters up the characteristic vocal and synths for even more frantic effect but trades in the percussion for faki’s signature assault of claps and hats. these also dominate the stripped-back hardspace tool, which carefully builds momentum only around the sirens and some seriously sizzling low-end rumble. both of faki’s personal mixes capture the original’s raw energy, yet manage to appear in both sleek but powerful presence. as with all releases of lf rmx, the proceeds of this record will be donated to the berlin charity project straßenkinder e.v. to be used in actions against child poverty.

nicolas demuth aka parra for cuva left his small town to study sound design in the wild, vibrant berlin. the various musical influences of the city only boosted his already strong fascination in producing electronic music and helped developing his unique sound. also of great importance is his long lasting friendship to singer anna naklab, whose voice stands in perfect symbiosis to his compositions.

nicolas demuth aka parra for cuva left in small town to study sound design in the wild, vibrant berlin. the various musical influences of the city only boosted his already strong fascination in producing electronic music and helped developing his unique sound. here again, we appreciate the constant search for singularity that allows us to truly attribute a coherence and a signature to his music.

vrac step up to firmly deliver the goods on mflow7 with an ep consisting of four varied tracks pushing the boundaries of electronic music. melliflow is an electronic music label based in berlin, founded and curated by vera & alexandra.

romanian artist dragutesku’s “convalescent” steadily builds from clicks and crackles to full speed rumble, squelchy bass paired with spacey pads and crisp percussion. cali native rithma responds with “watsonville”, thrusting the ripped-cone kick to the front before the softer side slides beneath the rhythm for an all-night drive. russian producer saktu starts the flipside with “veidi”, a neon-soaked breakbeat floater pulling the low end out for the midsection’s chirrupy synth-chat before turning on the jets. from berlin via budapest comes giash’s “new things”, a frictionless ride on a hypersonic rail across a bubbling, tonal landscape.

decks tipp!
new berlin vinyl label releases their first album sampler from their forthcoming album -nachtboutique-. influenced from disco, funk, soul, oldschool electro and house, we present to you the first vinyl of the album series. throughout the first three tracks we move from floaty house through to a disco orientated number and finish with a downbeat slowhouse jam.

300 copies - vinyl only - no repress!
a new berlin-based label coming from the russian wilderness. our first release is a 4-tracker of the analog sound enthusiast chizh and includes a secret circuit remix.

running a label with the ambition to push new and unique voices isn t always an easy task. while finding new artists is about as hard as finding a black t-shirt in berlin, most budding artists seem pressured to conform or mimic the already established, only to be heard. performing under the artist name bleie, oakland resident sarah bly is not one of them. originally hailing from seattle, she indeed works with the mortar of techno form, but uses different bricks altogether. it s a hard sound to articulate, at first, it s almost alienating to ears worn by years in dark clubs. its mercurial, yet still surprisingly club compatible nature makes it an aural tiger balm – it burns and soothes at once. this compositional depth is perhaps a result of bleie s background as a trained pianist and violinist, by which she transmutes the commonly associated tropes of the genre. bleie lets the elements rule over the form, giving the tracks a morphing and unpredictable feel. obviously we were instantly intrigued when stumbling across her music, and now extremely proud to present her vinyl debut certainty is only a feeling . four tracks of unique techno so brimfully suggestive that it s nearly peerless. we can t imagine this leaving anyone unaffected.

supported by : gerd, se62, fabio monesi, anil aras, dj steaw, inner sense, samann, dj caspa, owain 124, dj rampage, dj maddjazz, manooz...
the mlh crew brings house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. after their first solo ep, mlh bring back the 90 s new york vibe with two veterans of this sound : the dat project aka william rosario and transitive elements aka enrico mantini.

atmophile electronics, a new berlin based label focusses on atmospheric side of techno, launches with a compilation called fundamentum. made up by eight tracks on double-vinyl, fundamentum brings together the most contemporary techno-talents like matrixmann, takaaki itoh, polar intertia, sofus forsberg, mike parker, alderson disk, ankurbln, and naty seres. all tracks are exclusive to this release.

this is my best album for sure, says todd. we cant be exactly sure on that one, all three albums from todd bodine have been great. forms however, is perhaps the most complex and mature album that the berlin producer and dj has accomplished to date. and its also out with us! todd has worked at full speed over the last six months to bring us this fine piece of work. as a dj playing around the world and as a producer in the highest ranks of consistency, todd bodine has constantly developed as an artist. releases and remixes on respected labels, and collaborations with various artists have made him an internationally popular electronic musician. in 2007 he finally began to perform as a live act, and what club would better fit todds new live premiere than the panorama bar in berlin!? todd shows with forms, his innate knowledge of the two sides of electronic dance music. this is a meeting of peaktime euphoria with the relaxing bliss of the hazy morning light. a meeting of hypnotic natural rhythms and driving cut-up sounds. todd can impress you with dancefloor bombs and also with his sophisticated sound visions. the sound of detroit would probably be the best comparison.

resopal is proud to present modernian ep by japanese producer do shock booze. it is the aka of music project by dj yoichi hayashi who has built the career as rock band singer and guitarist since the late 90’s in japan. his tracks which have the scent of creative melody and ethnic taste are attributed by modern psychedelic tech house. he has been the talk of the scene from in and out of japan with his active international gigs and releases from highly renowned labels such as honorable german label traum or baroque records to name a few. in addition to his dj style with high selection method and “trance dance” conscious style where floor control is everything, live style which he only selects his own original remix tracks, freestyle play centering on ethnic rock, electronic, new disco etc. has called him a great reputation. on modernian ep he presents three tracks for modern dancefloors. berlin – tokyo – the world.

osf is happy and proud to announce a new 12-inch by its founder, nur jaber. the label was conceived by the staub resident as her very own creative platform, a place for her to not just release uncompromising music, but also to print poems, letters and in the case of this record, even direct a video. based in berlin, the young producer who was born in beirut remains very attached to her roots. this background partially explains why she can be inspired by tragic events happening regularly in the middle east - making brave statements in the mostly apolitical electronic music environment. the past years have seen nur embrace a career as a music producer, seeing her slowly and steadily become an original new voice in the techno landscape. this ep showcases nur s ability to create and combine daunting atmospherics and frantic paces. it is dark and twisted, with its vocals and screams, but always driving. weapons of mass destruction is meant for banging crazy dance floors, but it is also personal and almost cathartic, especially in the current political situation surrounding all of us. the artwork, as always, is put together by osf family members the beholder and beauty&machines.

synths versus me is back this time with the dancefloor at 5:00am as located and fixed target. 3 new tracks of classical ebm, new beat and minimal tribal techno + a remix by the french electro enfant terrible alek drive is what you are going to find on the demolishing seek target destroy 12&#8243,,,, that reached worldwide position #1 on bandcamp s #ebm tag in only 24 hours after the preorder release. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

it goes without saying that space has always been central to techno – both in terms of its cosmic and futuristic trajectory, as well as in the spatial dimensions of sonic elements. etapp kyle’s first full ostgut ton ep release sees the ukrainian-born, berlin- based berghain resident emphasizing the connection between the two, while avoiding techno’s overt intergalactic clichés. by partially linking to his continuum ep (unterton, 2016), the results are four tracks of pristine, sci-fi minimalism, propelled by ambient synths and percussive explosions in distant skies – more utopian than dystopian. opener “alpha” establishes the cosmic theme from the get go, with chord swells and a whirring, phasing spacewind panning across the stereo image. while a subdued kickdrum gets things started, it’s the rhythmic interplay between dynamic high-hats and halled-out rimshots that guide the track through space. from there, “quantum” on a2 strips the voyage down to a glowing, unwavering arpeggiated synth line, interspersed with twisted, high-pitched bells and updated 909- esque snare patters.

strong follow up four track ep by johnny island on new berlin-based techno label smaragd!

for the third and final part of jerome.c, dubfluss - friendship connection we invited julian alexander and guy from downstairs to join our artist roster. a lot of hard work was made into this 3 part lp by our good friends and we hope everyone enjoys it as much as they did producing it. lots of melodic grooves and solid bass lines, proper house music dance tracks on this release. cheers from berlin!

sven weisemann is set to release his ‘bilateral relations’ ep via copenhagen’s echocord this september, comprising four originals from the german producer. sven weisemann has been immersed in the underground house and techno scene for quite some time now having started djing in 1997 during the rise of the scene on his home turf of berlin and going on to release material via the likes of amsterdam’s delsin, mojuba, telrae and liebe.detail amongst many more. here though we see sven joining the roster of echocord, a perfect fit for his more dubbed out compositions with artists like fluxion, rod modell and stl on the roster. ‘lunation’ opens the release and sees weisemann fuse emotive string melodies and cavernous vocal echoes with off- kilter rhythms and rounded sub hits before title-track ‘bilateral relations’ embraces a more direct four-four approach via sparse percussion and tumbling toms alongside choppy bass stabs and ever-unfolding, echoing dub chords. opening the flip is ‘monistic’, an airy ethereal number employing billowing pads, bright synth chimes and a dropped tempo dubbed out feel to create something truly stunning and thought provoking before the ‘decimation (valvle tr9 mix) closes things on a darker tip with looming stab swells, heavily swung drums and sporadic growling bass drones.

on ep5, legendary german musician burnt friedman makes his dekmantel records debut with ‘monsun’. the berlin based artist, who built a reputation for himself through his explorations into obscure, finely-tuned, experimental dub through his label nonplace, alongside his collaborative relationship with the late can drummer jaki liebezeit, is one of the crucial, sonic manipulators of our time. ‘monsun’ finds friedman crafting flowing, percussive, dub techno that is both esoteric, and progressive. befitting of a dekmantel release. alongside friedman sits legendary detroit act ectomorph, aka. bmg & erika, also making their dekmantel inauguration, with a record that surmises’ the group’s anologue, style of motor city beats

die compilation -closed circuits- bietet einen detaillierten einblick in die alternative/elektronische musikszene australiens im zuge des new wave/post-punk ende der 1970 er jahre. inspiriert von david bowies berlin-trilogie, suicide und der brian eno-phase von roxy music, kamen zahlreiche underground-innovatoren zum vorschein, die mit neuen technologien und einer diy-punkattitüde das pop-spektrum erweiterten. cd mit 20 tracks, 2lp mit 24 tracks, beide mit ausführlichen linernotes inklusive raren fotos und track-by-track-kommentaren des musikjournalisten david nichols

this is my best album for sure, says todd. we cant be exactly sure on that one, all three albums from todd bodine have been great. forms however, is perhaps the most complex and mature album that the berlin producer and dj has accomplished to date. and its also out with us! todd has worked at full speed over the last six months to bring us this fine piece of work. as a dj playing around the world and as a producer in the highest ranks of consistency, todd bodine has constantly developed as an artist. releases and remixes on respected labels, and collaborations with various artists have made him an internationally popular electronic musician. in 2007 he finally began to perform as a live act, and what club would better fit todds new live premiere than the panorama bar in berlin!? todd shows with forms, his innate knowledge of the two sides of electronic dance music. this is a meeting of peaktime euphoria with the relaxing bliss of the hazy morning light. a meeting of hypnotic natural rhythms and driving cut-up sounds. todd can impress you with dancefloor bombs and also with his sophisticated sound visions. the sound of detroit would probably be the best comparison.

gaja makes his south london analogue material debut with this 5-track ripper of an ep. after discussing a no holds barred approach the tracks were recorded as live takes in gaja’s studio in berlin. the result is a collection of tracks that consist of hard, noisy, mesmerizing, distorted techno.

earlier this year ellen allien dropped her seventh solo lp, nost, an ode to the music that has been at the epicentre of her career, and life, for over two decades. the album provided a link between the past and the future, blending influences from the very early days of berlin techno with contemporary sounds and, of course, a vision of the future. now we have the first batch of specially commissioned remixes, taking ellen’s original works in a new direction with four artists delivering their own interpretations of the music featured on the lp. emmanuel top, rod, k-hand and skudge are the first ensemble of techno titans to administer the remix treatment to tracks from nost

the highly-anticipated ep, despite everything , written and produced by italian techno artist, ayarcana, with remixes by london based producer manni dee, along with berlin based producer, huren, is finally here. this is the second release for omen recordings, once again archiving the dark sounds and malignant spirit of techno.

this is the second 12inch from taken, the duo effort of elias landberg and nihad tule.this is the second 12inch from taken, the duo effort of elias landberg and nihad tule. the duo has done a local show at under bron in stockholm as well as herrensauna in berlin, this new ep sounds inspired and fresh as their live sets, setting the course straight away. the reminiscent sounds of techno s adolescence goes everything but unnoticed as the reduced and powerful cluster on the a-side showcases taken s ambitions. going into deeper territories, the b-side elysia almost smells of strobes and smoke machines for the eye-opening moments of a proper party. with this new ep from taken, the sounds have really developed and show their excitement for things to come, from their almost three year debut on skudge records. this is a keeper!

das ist die dritte veröffentlichung vom label funk injacktion records aus berlin als kollaboration von d. instructed und froyd. eine skurrile mischung aus rudimentärem industrial samba und free jazz artefakten frei von der leber weg und säurefestem electrofunk . einigen freunden der elektronischen musik ist sicher noch der name autopilot vom label elektrolux aus frankfurt bekannt. das projekt d. instructed steht für eine freie herangehensweise an analoge instrumente bzw drums . aus den jams und der improvisation entstehen die tracks genauso wie bei froyd, über die ehemalige stadtgrenze berlins hinaus. aus der ehemaligen ost-west-wurzel entstand ein neues mutterschiff für den märkischen funk.

mute veröffentlicht zum release des sechsten albums >wixiw< des new yorker indie/experimental trios liars die beiden alben >drums not dead< und >they were wrong so we drowned< neu auf 180 gramm vinyl.
kurz nach dem release ihres hochgelobten zweitlings >they were wrong so we drowned< zog die band nach berlin um dort das 2006er album >drums not dead< aufzunehmen, ein weiteres konzeptalbum das mindestens genauso surreal klingt wie sein vorgänger. kurz nach der veröffentlichung erreichte >drums not dead< platz 6 auf pitchforks jahres-album-top-50.

russian born anastasia vtorova is based in berlin and makes music under the name machine woman. prior to joining the technicolour ranks, she has released two 12”s - via the self-titled imprint of swedish producer peder mannerfelt (2015) and uk label where to now? (2016) - plus a handful of very limited cassettes via sacred tapes (2015), tesla tapes and ono (2014).

schwefelgelb return to fleisch with den umgekehrten atem. this 4 track document offers sid and eddy s latest gems in the pursuit of the perfect beat. propulsive and heady, den umgekehrten atem renders the glass and dust of early digital and wavetable synthesis with narcotic definition. fragments of rgb split conga and drone swarm around this body hybrid of techno and ebm, created with the sole purpose of stirring neural cocktails in the minds of listeners from detroit to berlin. currently one of the best live electronic acts on the planet, extensive touring across the globe in support of an unfaltering stream of releases has made 2017 an incredible time for schwefelgelb so far. with a record of such energy and clarity of vision as this, it doesn t seem like stopping any time soon. / incl mp3 code

italian artist blasted is ready to spread his stunning music with an intense four-track ep, aelien i. the industrial architecture of this project defines the lines of his modern techno concept. blasted welcomes two remixes from the acclaimed, berlin-based producers unhuman and blush response. the ep goes straight to its revelation, neurotic patterns which bump into a dark misanthropy, an experimental sound that becomes more and more cryptic. the second track is a powerful remix by blush response and it is the result of a metallic explosion due to a mental calculation of dusty beats and low basses. unhuman s remix closes the ep, dark forces make it clear about the distorsion and intensity of aelien i s noise, techno rhythm. welcome to a unique variation of massive techno sphere.

new zealands borrowed cs delivers a dope deep house ep on the notorious berlin m$ records label hosted by max graef / glenn astro / delfonic.

berlin producer troy gunner marks a new step in an ascendant career with the introduction of his very own imprint. simply titled ‘gunner’, this project will be predominantly vinyl-focused and will act as a platform for his own productions as well selected peers. it kicks off with 3 of his own tracks - all of which carrying a chilly quality whilst bearing troy s distinctive blend of stiff drums, heady atmospheres and muscular low end. support from resident advisor, dj mag, mixmag, zenker brothers, moxie, hodge, mickey pearce, xxxy, mj cole, john osborn, brendon moeller, carl craig, ivan smagghe, woz, christian martin, claude vonstroke, gorgon city, groove armada, tensnake, james zabiela, richy ahmed, my nu leng, altered natives, danny tenaglia, horse meat disco, huxley, phaeleh, gene farris, eddie temple-morris, shadow child + many more.

alex seidel is more than happy to present you dogpatrol for the swz002. selected tracks from the dogpatrol vaults. best before swz003.
mannheim x berlin.

after a short break, caduceus records returns with a weighty techno 12inch by long-time friend pascal hetzel. the berlin-based producer delivers four storming tracks that cleverly translate the 90s techno heritage into the present. on motion blur a hypnotic bleep sequence gives way for majestic pad sweeps just in time for your serotonine rush. -stutter- is more restrained, with a modulating chord sequence and sturdy drums, while -timelapse- catapults into darker territory filled with industrial shrapnel and an extra bit of high-octane paranoia. strobe is the fittingly titled closer of the ep. a pummeling piece of monochrome techno hypnosis with a massive kickdrum drenched in reverb and icy atmosphere.

mental groove records is thrilled and honored to announce the follow up to last year water vein ep (mg115) by asian psilocybe foundation & dj yogurt. entitled daikaku, a buddhist term for one who has achieved enlightenment. this second installment smiles on geinoh yamashirogumi akiras soundtrack. apf is an eccentric japanese musician who raised attention from the detroit. remixed by jon dixon of underground resistanceÆs timeline, apf first ep was released by once legendary producer orlando voorn (fix, game one, baruka). on the a side he achieves to capture akiraÆs spirit with his own organic and floating sound signature within a long, delicate and trippy techno number while on the flipside dj yogurt, a regular figure of tokyos nightlife who worked at cisco records, delivers two straight percussive numbers fueled with traditional japanese flavor to take the most discerning floors to a tetsuo state-of-mind. mastered by music matters mastering and cut at emil berliner studios, berlin.

after the first release in june 2016 and #002 following in early 2017, the berlin- based imprint through these eyes is ready to announce the next release. this time it features two heavy jungle tracks by austrian based artist sun people. on the name giving a-side of his through these eyes release sun people uses an iconic vocal sample, adds a gut-wrenching 95 style bass-line and tops it all off with some of the finest razor sharp percussions in the genre to deliver one of the most stomping tunes you ll hear this summer. nu gun on the flipside gets a lot more dubby with it s perfect jungle beat edits and moody chord stabs - all that laid out over a well known vocal sample. it can easily be considered a prime example of sun people s signature sound which is heavily rooted in dub, jungle and juke/footwork.

come together: re.yous younion returns with more sublime unifying forces. beats that bring us closer, feelings that break down barriers and artist partnerships whose creative connections are more than the sum of their parts. the message is clear in every directio, from the longstanding younion parties across europe to the slow-but-smouldering rise of the label, of which we are proud to present its third release tapping into the very same younion spirit that regularly shakes the walls of iconic clubs such as watergate berlin and pacha barcelona, this four track ep is an incisively curated collective ep comprising three acts who complement each other implicitly. as the dust still settles from florian busses recent younion outing, and solomun continues to hammer the labels first release from eins tiefer, the timing couldnt be better. the perennially on-point dutchman rancido takes the lead with two deep tribal odysseys that take root in the sound he’s made his signature. both >lagos< and the vinyl-only >rabat< conjure deep mystic textures around his stately, restrained and constantly developing grooves. there is a reason he is released with the mighty innervisions in the past. deeper again re.you whips up a percussive storm over palpitating synths in the form of >dao< before handing the controls over to rising german duo cosmo & kramer for an inspiring finale. a duo re.you has been championing since they warmed up for him five years ago, >dance< is a calling card for an extremely exciting future… and it more than lives up to its name. three releases deep and younions unifying forces couldnt be stronger. its time to combine.

musik mit liebe und seele aus berlin-kreuzberg! nur ein genre? festgelegte bpm-zahlen? ein einheitliches soundbild? nur bestimmte themen? fehlanzeige. -meine musik? einfach guter geschmack-, sagt brkn und lacht. die schublade für seinen style müsste vermutlich erst noch gebaut werden. aber anstatt sich über derartige akustikarchitektur den kopf zu zerbrechen, macht brkn einfach, worauf er bock hat. egal, ob das jetzt soul, hip hop oder soul mit hip hop-einflüssen ist. wichtig ist nur, dass es geil klingt. auf platte und live.

* templar sound returns with four cuts of techno ruffige from sydney producer cop envy, submerging the pulse of detroit beneath the ghosts of british hardcore. * ts014 by cop envy has been mastered and cut by rashad becker at dubplates & mastering, berlin.

berlin-based producer, yapacc take on the original sees him transferring the song into a dancefloor-ready track whilst subtly maintaining the ambience of the original. off-beat house-esque sub-rhythms and a melodic bassline helps to keep the energy of the track moving forward, whilst the top end guitars and vocals keep the listener interest up until the very last second. russian-based dave pads remix also helps the original move onto the dancefloor with this incredibly funky, groovy-laiden back beat which simultaneously manages to hold onto the original tracks esthetical ambience. euphoric house stabs and a continuous layered texture sits behind the tracks groove, adding a sense of nostalgia and depth to an already emotive original.

lf rmx is a new series, exclusively featuring edits and remixes originally made by len faki for use in his own dj sets. now releasing them to a wider audience, the second edition presents two complementary contrasting versions of deep in by stephen brown. sticking to the strengths of the source material, faki s sleek polish makes the centerpiece acid bassline and playful cut-up vocal stand out from the mix even more. already quite a force to begin with, the momentum only keeps growing as oldschool drum breaks and additional percussion roll in. the original s linear progression is traded for murky, modulating analog squelches on the deepspace mix, turning the tune into a dubby late-night groover, which still holds some surpises in store. as with all releases of the non-profit platform that is lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

curtains up for a new power trio: bass player massimo pupillo (zu, laniakea), drummer alexandre babel (sudden infant) and caspar brÃ&#150,tzmann on guitar. as the title -live at the candy bomber studios, vol.1- indicates, this album is the first cut from an inspired recording meeting. raw energy, full focus and three instrumentalists at the peak of their skills who blend noise rock, drone and improvisation into 2 relentless epic pieces. the line-up consists of massimo pupillo, bass player in zu, laniakeaand countless other constellations anddrummer alexandre babel who is a prolific player in the experimental / contemporary field (artistic director of swiss percussion group eklekto, member ofkammerensemble neue musik berlin, soloist and has performed a.o. with otomo yoshihide and keiji haino) and a steady member of the noise band sudden infant. and last but not least there s caspar brÃ&#150,tzmann on guitar who gainedhigh reputation as one of the most radical guitarists around, admired by acclaimed artists like thurston moore (-probably one of the best guitarists i ve ever met!-)and stephen o malley. a powerful unit, recorded live in the studio by ingo krauss who had already worked with brÃ&#150,tzmann on the caspar brÃ&#150,tzmann massaker albums -der abend der schwarzen folklore- and -koksofen-.

the fifth and sixth releases in the aught catalog, remastered and pressed to clear vinyl in deluxe clear packaging. the first in a series of 2xlp reissues to bring the popular cassette series to vinyl.
remastered by rashad becker at d&m, berlin. pressed by gotta groove, ohio, usa. edition of 300.

nice price deal !!! the first in a series of experimental, sci-fi journeys, produced in a low earth flight plan that takes us between detroit and berlin. laws of anti-gravity launches us into the void, an 11-minute odyssey into deep space, while black nebula evokes the dread of a mysterious, dark singularity, pulling you in deeper...and deeper. collectible 10-inch black vinyl format.

200x ltd black vinyl edition
the cologne based techno label sector music starts with its first release from sector cologne founder kavaro and two stunning versions of his tracks from nx1 and milton bradley. kavaro started the well known event series sector more than 4 years ago and plays as well as a resident dj there. after many years organizing his events and staying behind the turntables it was time for him to make music itself. at sector he played along james ruskin, rrose, paula temple, dasha rush, ancient methods, inigo kennedy, vatican shadow and many more great artists. milton bradley from berlin played already 3 times at sector and the spanish duo nx1 played live in the first year of the event series. the new record label sector music will always have a connection to the sector events. this release will be first vinyl exclusive because kavaro is known for his excellent all vinyl dj sets and he highly supports other vinyl djs.